Too Many Long Boxes!

End of Summer
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by David R. Black

Fanzing's impending end next month has me in a bit of a nostalgic mood. Rather than review current comics or discuss the state of the comic industry, I'm going to do a little Fanzing related theorizing.

I recently read "A Sense of Wonder: My Life in Fandom," an autobiographical tale written by comic fan Bill Schelly, in which Schelly reminisces about his involvement in early comics fandom and the early fanzines. Coupled with Alter Ego's issue featuring Xero, a fanzine published during the silver age, these two TwoMorrows publications have me pondering an important question:

Will anyone remember Fanzing 30 years from now?

Will an up and coming writer or artist in the year 2032 track down Editor Michael Hutchison and interview him regarding Michael's six years with Fanzing? Will Fanzing be viewed as an innovative concept - the first e-zine in the technologically turbid late 90's and early 00's?

Will one of our contributors have made it big by 2032? Will back issues of some long lost e-zine named Fanzing be prized for their collection of early works by Syl Francis, Yusuf Madhiya, Phil Meadows, or Rosaline Terrill?

Will Fanzing have a historic reputation as a launching pad to the pros, much like the CPL and Alter Ego of lore?

I don't know the answers to these questions. I can only hope that I know the answers.

I sure hope Fanzing is remembered years from now, and although my motive for wishing so may sound a bit selfish, I hope the next generation of fans discovers the intelligently written articles, well crafted fiction, and beautifully rendered art Fanzing contains. I hope our work brings a smile to someone who needs it, acts as source material for a student researching comics, or shines as a testament to a dream fulfilled. I hope future readers can feel the energy and enthusiasm which with we put Fanzing together.

Most of all, I hope all of our hard work doesn't fade into nothingness. The Internet is an ethereal object - ever changing, ever adapting. The Internet of 1992 bears little resemblance to the Internet of today, and I doubt the Internet of 2012 will look much like today's Internet, either.

While he was in Philadelphia last month, D.J. LoTempio and I got together and had a great conversation, about things both Fanzing related and unrelated. (I've met D.J. twice - the only Fanzinger I've personally met - and not only is he a nice guy, he's very intelligent and a great conversationalist). In the course of the evening, D.J asked me if I had any plans for life after Fanzing.

"Life after Fanzing? Is there such a thing?" I joked.

In all seriousness, I don't have any concrete plans for future activities in the comics industry. Many of our contributors are making serious attempts to turn pro, and many are on the verge of succeeding. I've also heard that a few of our writers are working on prose novels, using their experiences at Fanzing as a solid stepping stool to the literary world.

What about me? To be honest, I joined Fanzing with the intentions of one day becoming a pro. At first I wanted to be a writer (as evidenced by a lot of fiction with my name on it in issues 13 through 35), then I decided I wanted to be an editor (much like Roy Thomas, who started with Alter Ego and ultimately became Marvel's E-I-C in the 1970's).

But now, after 54 issues (hey, don't forget Fanzing's #0 and #-1 issues!), I've learned that I don't want to be a comic pro.

I've learned that continually being creative is a difficult task. Like a firecracker, I can sustain short bursts of creativity, but in the long run, I can't sustain the intensity and I burn out. Working for Fanzing has filled me with a great respect and admiration for comicdom's creators - writers, artists, editors, everybody.

I've also learned that working for Fanzing has stifled some of the "sense of wonder" comics had for me previously. Reading comics as a hobby is one thing, but analyzing them, researching them, and writing about them is an entirely different animal. Somewhere along the line, the fun becomes more like real work.

I've enjoyed Fanzing immensely, but I need to step back and rediscover comics' wonder. My personal sense of wonder needs recharging. I need to feel the paper, smell the musty odor, and savor the artwork in an old comic without worrying about reviewing later for a future column. I need to read comics purely for enjoyment's sake.

But I'm not going to disappear entirely. Once I'm recharged, I plan on answering D.J.'s question and my concerns about Fanzing's legacy in one combined effort.

Namely, I plan to take Fanzing (or at least parts of it) into the world of printed paper. With 54 issues worth of contents, we have enough material to make many volumes of TPBs or books.

How would a printed version of a collected "Vile Vial" storyline sound? How about a collection of all Matt Morrison's "Mount" columns? How about an all-Fanzing coffee table book showcasing our artists?

It's worth a shot! Not all persons interested in comics are on-line, and we can reach a wider audience through the physically printed page. I'd love to, for example, put a hardbound collection of John Wells' columns about comics history into libraries everywhere.

The Internet medium is fleeting; the printed page is forever.

Additionally, Fanzing's history needs to be documented. Once the message boards fade and the computer screens dim, much of our story will be gone. The archivist in me cannot dream of something so horrible happening.

Thus, as a first step towards achieving this, I've created a list of all artists who illustrated Fanzing's covers. Our front and back covers create the initial and parting impressions readers associate with Fanzing, and as such, it's only fitting that Fanzing's history begin at the covers and work it's way inside!


Front Covers

Old Fanzing 4 - John Karl Haynes - JLA: A Fallen Guy Gardner

Old Fanzing 5 - John Karl Haynes - Batman Halloween

1 - Jas Ingram - Heroes of the DCU

2 - Melissa Wilson - Firehawk

3 - Jas Ingram - Kingdom Comedy

4 - Simon Brown - Sword of the Atom

5 - Bill Wiist - Shining Knight

6 - Bill Wiist - Gren Lantern on Trial

7 - Rick Blackwell - JSA

8 - Bob Riley - Celebrating 60 Years

9 - Bob Riley - Crisis on Infinite Earths

10 - Bob Riley - Sidekicks

11 - Bob Riley - DCU Magicians

12 - Kierston Vandekraats - Batman the Detective

13 - Christian Moore - Crisis

14 - Bill Wiist - Behind the Cape

15 - Bill Wiist - Elseworlds

16 - Joey Fuentes - "Joker's Wild"

17 - Kurt Belcher & Jeremy Greene - "Truman's Heroes"

18 - The Brothers Grinn - The Titans

19 - Bill Wiist - Suicide Squad

20 - Christian Moore - The JLA Watchtower

21 - Kevin A. Voith - Parallax

22 - Scott McCullar - Batman

23 - Bill Wiist - Doom Patrol

24 - Bill Wiist - Phase and Phantom Girl

25 - Joe Singleton - Jay Garrick

26 - The Brothers Grinn - 80 Page Giant

27 - Mervson - Cancelled Heroes

28 - Anthony Cranfield-Rose -"Ted Knight"

29 - Bill Wiist & Nate Melton - Classic JLA

30 - Bill Wiist - "Dick!" photomanipulation

31 - Ted Bragg - Birds of Prey

0 - Marla F. Fair -Fafhrd and Mouser

32 - Jim Coder - Affirmative Action Comics

33 - Yusuf Madhiya - "Superboy: Falling Rock"

34 - Yusuf Madhiya - Superman

35 - Tiril - The White Witch

36 - David Ellis - "Superboy in Battle"

37 - Carol Strickland - Wonder Woman Watercolor

38 - Brad Parnell - Adam Strange

39 - Kevin A. Voith - DC Archers

40 - Matthew Minnich - Robot Thanksgiving

41 - Kevenn T. Smith - Wonder Woman, Cheetah, and Dr. Psycho

-1 - Yusuf Madhiya - "Gangbuster in Limbo"

42 - Yusuf Madhiya - Superman & Fanzing Man

43 - Phil Meadows - Ambush Bug

44 - Erik Burnham - Hawkman

45 - Chris Franklin - "Crisis on Earth C"

46 - Rosaline Terrill - Superman: July 4th

47 - Rosaline Terrill - Wonder Girl

48 - Erik Burnham & Phil Meadows - Beyond the DCU

49 - Rosaline Terrill - Mr. Mxyzptlk

50 - Kinsey Stewart - Nifty Fifty

51 - Yusf Madhiya & Carlin Trammel - Dawnstar

52 - Rosaline Terill - Elongated Man

Back Covers

(Back covers debuted in issue #13, and thus, there are no back covers for issues #1-12.)

13 - Uncredited - Big Barda, Scott Free, and Oberon

14 - Bill Wiist - Elseworlds

15 - Bill Wiist - Superman & Wonder Woman as Avengers

16 - Uncredited (probably Bill Wiist) - Sgt. Rock

17 - Uncredited (probably Bill Wiist) - Donna & Dick

18 - Bill Wiist - Villains

19 - Bill Wiist - My Hero

20 - Bill Wiist -Ice and Deadman

21 - Bill Wiist - Batman

22 - Bill Wiist - Teams

23 - Bill Wiist - Hourman

24 - Bill Wiist - Speed Force

25 - Bill Wiist - 80 Page Giant

26 - Bill Wiist - Chase

27 - Bill Wiist - Starman

28 - Bill Wiist - JLA 40th Anniversary

29 - Bill Wiist - Dick Grayson

30 - Bill Wiist - Birds of Prey

31 - Bill Wiist - Affirmative Action Comics

0 - Marla F. Fair - Fafhrd and the Beer Girl

32 - Bill Wiist - The Shark

33 - Yusuf Madhiya - Blue Devil

34 - Bill Wiist - Superman Goes to War

35 - Bill Wiist - Legion of Super Heroes

36 - Tony Smith - Kara Zor-El

37 - Phil Meadows - GLC World Tour

38 - Bill Wiist - Green Arrow

39 - Bill Wiist - Robots, Man

40 - Bill Wiist - Times Past

41 - Bill Wiist - Crisis on Earth Fanzing

-1 - Yusuf Madhiya - Reboot!

42 - No Back Cover this month

43 - Phil Meadows - Hawkman

44 - Bill Wiist - The Zoo Crew

45 - The Brothers Grinn - Zoo Crew Generation 2

46 - Russ Yocum - Green Lanterns

47 - Nikoru-Chan - Codename Knockout

48 - Kurt Belcher - Phantom Zone Villains

49 - Yusuf Madhiya - Fanzing Man

50 - Yusuf Madhiya - Superboy & Tana

51 - Yusuf Madhiya - Elongated Man & Supergirl

52 - Yusuf Madhiya - The End of Fanzing

David R. Black is's magazine editor and chief archivist. A big fan of "The Warlord," he has a cat named Shakira and is looking for a girlfriend named Tara....

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This piece is © 2002 by David R. Black
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Updated 7/27/2010